Box Office Results for April 29, 2011

This weekend, the summer movie season got off to an early and explosive start with the record-breaking debut of the action sequel Fast Five, which raced to the top of the North American box office with an opening that was miles ahead of any other film’s from this year.  But the two other new offerings were flat out rejected by ticket buyers as the high school comedy Prom and the 3D toon Hoodwinked Too! Hood vs. Evil sparked no interest from audiences.  Overall ticket sales were up sharply versus last year, which came as great news for the industry, which is trying desperately to generate momentum going into the potent month of May.

UNIVERSAL scored the biggest opening in studio history with Fast Five, which debuted to a stunning $83.6M, according to estimates, leading the marketplace with a sturdy 54% market share.  The PG-13 film averaged a muscular $22,950 from 3,644 theaters including a record 243 IMAX sites where ticket sales cost as much as $19 each.  10% of the weekend gross came from those large-format screens.  The opening was critical for UNIVERSAL, which has struggled over the last couple of years at the box office.  Fast Five broke the long-standing opening weekend record for the studio, which was set back in May 1997 by Steven Spielberg‘s The Lost World: Jurassic Park, which took in $72.1M over the Friday-to-Sunday portion of its Memorial Day weekend launch setting the all-time industry record at the time.  Of course, ticket prices were much lower back then.

By bringing back the main cast members of the first movie – 2001’s The Fast and the Furious – the franchise got re-energized two years ago when the fourth installment Fast & Furious opened to a stunning $71M proving there was still solid interest in the franchise.  Fast Five improved on that by an impressive 18% and plans are developing for a sixth installment.  UNIVERSAL made sure it was offering something new and exciting by reuniting stars Vin Diesel, Paul Walker, and Jordana Brewster with actors from previous chapters like Tyrese Gibson, Chris “Ludacris” Bridges, Sung Kang, and Matt Schulze.  Plus, the sequel got taken to another level with the casting of Dwayne “The Rock” Johnson, creating a high-octane testosterone vehicle that had to be experienced on the big screen.  Critics helped out too giving what were by far the best reviews the series had seen yet.

Fast Five also generated the biggest opening ever in April, beating out Fast & Furious, and more than doubled 2011’s previous best debut – Rio‘s $39.2M.  During the January-to-April periods in 2009 and 2010 there were five films each year that opened north of $40M.  This year saw none until Fast Five rolled in.

The busy weekend started off with $34.5M on Friday including $3.7M from Thursday night’s post-midnight showtimes.  The Brazil-set heist film then fell 12% on Saturday to $30.2M, which was commendable given that the last film in the franchise tumbled 19% on Saturday.  UNIVERSAL is estimating a 37% Sunday decline to $18.9M.  Fast Five earned a great A CinemaScore grade as fans have been liking what they have been seeing.  The usual sophomore tumble is likely next weekend, especially since rival action entry Thor is opening, but good word-of-mouth may prevent the declines that Fast & Furious suffered.

Produced for $125M after counting tax rebates and other incentives, the adrenaline-pumping actioner played to an audience that was 56% male, 52% under 25, and 65% non-Caucasian.  Overseas, Fast Five was a big ticket item too and grossed an estimated $45.3M from just 14 markets boosting the international total to $81.4M and the global gross to $165M with much more to come.  All ten new markets opened at number one including Russia, Germany, and Spain.  Even more encouraging for UNIVERSAL, the new chapter posted franchise record debuts everywhere just as it did domestically meaning the road ahead is lucrative for the series.  45 more international territories open next weekend as Fast Five may have enough fuel to reach the $500M mark worldwide.

Moviegoers wanting a less violent trip to Brazil lined up for the animated hit Rio, which fell to second after two weeks at number one and grossed an estimated $14.4M.  The 3D film dropped by only 45% and crossed the century mark after 17 days of release with a cume to date of $103.6M for BLUE SKY.  A trajectory towards about $140M seems likely as no films aimed at families will open over the next two weeks.  Rio‘s overseas total has now climbed to $263M putting the global take at $366M with a whopping 72% coming from outside of North America.  Brazil, home to the director and the film’s setting, has contributed a stellar $36M to date.

Tyler Perry suffered a predictable 60% sophomore fall for his latest comedy Madea’s Big Happy Family, which ranked third with $10.1M, according to estimates.  LIONSGATE and TYLER PERRY STUDIOS have banked $41.1M in ten days and should end up with $50-55M.  The Reese-and-Robert romance Water for Elephants followed with an estimated $9.1M dropping by a moderate 46% in its second round.  FOX 2000 has collected $32.3M in ten days and should finish with about $55M as well.

The weekend’s two new releases not involving high-speed theft both stumbled at the box office failing to excite moviegoers.  WALT DISNEY‘s high school comedy Prom bowed to an estimated $5M from 2,730 locations for a weak $1,832 average.  The PG-rated story about teens preparing for their big dance was aimed at the tween audience and girls in particular.  Reviews were not too strong and Prom had no major star to anchor the project.

Parents told Hollywood that there are way too many 3D toons these days by ignoring the animated sequel Hoodwinked Too! Hood vs. Evil, which debuted in sixth place with an estimated $4.1M from 2,505 theaters.  Averaging a dismal $1,653, the PG-rated follow-up to the WEINSTEIN CO.‘s 2006 hit lacked must-see buzz and faced intense competition from other kidpics like Rio.

TRISTAR‘s inspirational drama Soul Surfer held up nicely again slipping 39% to an estimated $3.3M for a sum of $33.8M so far.  The horror hit Insidious fell to an estimated $2.7M, down 48%, and has grossed $48.3M for FILMDISTRICT.

Box office gravity caught up with the hit kidpic Hop.  After surging last weekend in its fourth frame thanks to the Easter holiday, the ILLUMINATION release plunged 79% this time to an estimated $2.6M for a cume to date of $105.3M.  Rounding out the top ten was the action pic Source Code with an estimated $2.5M, off 50%, and a $48.9M total.

Overseas, PARAMOUNT and MARVEL‘s super hero epic Thor made a mighty splash opening in dozens of major markets with an estimated $83M from 56 territories making for the year’s top wide international debut weekend.  The pricey 3D action pic opened last weekend in star Chris Hemsworth‘s home country of Australia and dipped 42% this weekend in its second frame for a sizable local cume of $13.1M.  Fast Five fell a similar 41% in its second round Down Under and has taken in $20.9M.  Thor has raked in a total of $93M from all markets so far and will invade well over 3,500 theaters across North America this Friday.

The top ten films grossed an estimated $137.4M, which was up a mighty 56% from last year when NEW LINE CINEMA‘s A Nightmare on Elm Street opened in the top spot with $32.9M; but down 6% from 2009 when 20TH CENTURY FOX and MARVEL STUDIOS’ X-Men Origins: Wolverine kicked off the summer debuting at number one with $85.1M.

April 29, 2011 to May 1, 2011 Top Ten

1.   Fast Five

  • $83,630,000
  • Universal Pictures (NBC Universal)

2.   Rio

  • $14,400,000
  • Blue Sky Studios (Fox)

3.   Madea’s Big Happy Family

  • $10,050,000
  • Lionsgate (Lions Gate) and Tyler Perry Studios

4.   Water for Elephants

  • $9,125,000
  • Fox 2000 Pictures (Fox)

5.   Prom

  • $5,000,000
  • Walt Disney Pictures (Disney)

6.   Hoodwinked Too! Hood vs. Evil

  • $4,140,000
  • The Weinstein Company and Kanbar Entertainment

7.   Soul Surfer

  • $3,300,000
  • a TriStar release (Sony)
  • FilmDistrict and Enticing Entertainment

8.   Insidious

9.   Hop

  • $2,557,000
  • Illumination Entertainment (NBC Universal)

10. Source Code

  • $2,532,000
  • a Summit release
  • Vendôme Pictures

April 30, 2010 t0 May 2, 2010 Top Ten

1.  A Nightmare on Elm Street

  • $32,902,000
  • New Line Cinema (Time Warner)

2.   How to Train Your Dragon

3.   Date Night

  • $7,577,000
  • 20th Century Fox (Fox)

4.   The Back-up Plan

5.   Furry Vengeance

6.   The Losers

7.   Clash of the Titans

8.   Kick-Ass

  • $4,516,000
  • a Lionsgate release (Lions Gate)
  • Marv Films

9.   Death at a Funeral

10. Oceans

May 1, 2009 to May 3, 2009 Top Ten

1.   X-Men Origins: Wolverine

  • $85,058,000
  • 20th Century Fox (Fox) and Marvel Studios (Marvel Entertainment)

2.   Ghosts of Girlfriends Past

  • $15,411,000
  • New Line Cinema (Time Warner)

3.   Obsessed

  • $12,052,000
  • Screen Gems (Sony)

4.   17 Again

  • $6,361,000
  • New Line Cinema (Time Warner)

5.   Monsters vs. Aliens

  • $5,803,000
  • DreamWorks Animation Studios (Viacom)

6.   The Soloist

7.   Earth

  • $4,340,000
  • Disneynature Films (Disney)

8.   Hannah Montana: The Movie

  • $4,164,000
  • Walt Disney Pictures (Disney)

9.   Fighting

  • $4,011,000
  • a Universal release (NBC Universal)
  • Rogue Pictures (Relativity Media)

10. State of Play

~ by Matt Whitfield on May 3, 2011.

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