Box Office Results for July 1, 2011

This weekend, Michael Bay‘s 3D summer tentpole Transformers: Dark of the Moon crushed the competition with the biggest Independence Day holiday opening weekend ever and the third largest global debut in history.  Other new releases were not so lucky as the Tom HanksJulia Roberts vehicle Larry Crowne and the Selena Gomez pic Monte Carlo both delivered disappointing results.

Towering over all other films, Transformers: Dark of the Moon debuted to an estimated $116.4M over the extended Friday-to-Monday holiday period and a colossal $181.1M since its launch on Tuesday night with 9pm Real D 3D and IMAX 3D previews.  The Friday-to-Sunday portion was $97.5M.  That was good enough to break the seven-year-old records for this holiday set in 2004 by the highly anticipated super hero sequel, Columbia and Marvel‘s Spider-Man 2, which bowed to $88.2M over the Friday-to-Sunday span and $115.8M over the Friday-to-Monday period.  Taking out the $5.5M that Optimus Prime brought in from Tuesday night sneaks, the actual Wednesday-to-Sunday tally for the robots was $156.7M.  The Spidey pic sold more tickets though as Transformers: Dark of the Moon enjoyed a big jump in 2D prices plus Real D 3D and IMAX 3D surcharges.

Paramount aggressively marketed Transformers: Dark of the Moon as a film that should be seen in 3D given that it actually delivers the thrills moviegoers expect from the format unlike so many converted action pics from earlier this year.  The film and its campaign paid off as 3D screens accounted for 60% of the gross making for a higher share than the 45% figures that recent action films like DC‘s Green Lantern and Walt Disney and Jerry Bruckheimer‘s Pirates of the Caribbean: On Stranger Tides had.  Green Lantern was converted into 3D during post production, while like Transformers: Dark of the Moon, Pirates of the Caribbean: On Stranger Tides was shot in 3D with James Cameron‘s Fusion Camera System.

Transformers: Dark of the Moon‘s daily run started with an official opening day Wednesday of $37.7M.  Thursday dipped 43% to $21.5M, Friday surged 53% to $32.8M, Saturday inched up another 5% to $34.4M, and Sunday dipped 12% to $30.3M.  The studio also reported a Fourth of July holiday Monday estimate of $18.9M, down 36% from Sunday.  The third Shia LaBeouf-led actioner fared well with ticket buyers earning an encouraging A grade from CinemaScore.  Good buzz from those that caught the film mid-week helped create recommendations that convinced a broader audience on the weekend to take a chance on the latest dose of destruction and mayhem.

Transformers: Dark of the Moon launched ultrawide in 4,013 domestic locations and averaged a muscular $29,006 per theater over four days helped by 3D fees.  It also ranked as the third best July opening (Friday-to-Sunday) ever trailing DC’s The Dark Knight ($158.4M) and Walt Disney and Jerry Bruckheimer’s Pirates of the Caribbean: Dead Man’s Chest ($135.6M), both of which opened on a Friday.

The 6.5-day total for the new Autobot flick will not beat the $200.1M five-day non-holiday launch of Transformers: Revenge of the Fallen from June 2009, however it will certainly finish higher than the $155.4M 6.5-day debut Transformers from this same holiday weekend in 2007.  That pic started with 8pm preview shows on a Monday with Tuesday being the first full day of release.  Factor in the changes in ticket prices and the 3D effect and the number of stubs sold were about the the same for the first and third chapters.  Good will from the first film helped the opening of the second, but bad buzz from that pic prompted some to drop out when the third pic arrived.

As expected for a Michael Bay action sequel, reviews were not too upbeat.  But critics were generally pleased with the quality of the 3D presentation with many saying it was the best for any action movie since 20th Century Fox‘s Avatar.  Like I said before, James Cameron’s 3D camera technology was used in the shooting of Transformers: Dark of the Moon.

The new Transformers opened day and date in most of the world this weekend and generated a sensational $379M opening from Wednesday to Sunday (including previews) making it the third biggest global opening ever after Warner Bros.Harry Potter and the Half-Blood Prince ($394M) and Columbia and Marvel’s Spider-Man 3 ($381.6M).  Transformers: Dark of the Moon‘s international portion stood at $217M led by Korea’s $30M, Russia’s $22M, and the United Kingdom’s $16.5M.  China and Japan open later in July and are expected to add much more to the run.  Overseas audiences spend more on the extra dimension as 3D accounted for a higher 70% of the international grosses.

The 3D animated sequel Cars 2 fell apart in its second weekend crumbling 60% over the Friday-to-Sunday period and collected an estimated $32.1M over the long holiday frame.  It was the worst sophomore drop ever for a Pixar film.  Sequels typically decline more than originals but the G-rated toon had a holiday to help the second weekend and the new releases did not provide too much direct competition for younger children.  Fans of the franchise came out in solid numbers on the first weekend, but word-of-mouth does not seem strong enough to keep the film going.  Second weekend falls for Toy Story 2 and Toy Story 3 were 52% for part two, which came off of the Thanksgiving holiday and 46% for the third part from last summer.  The 11-day total for Cars 2 sits at $123M and a rough road ahead could lead to a final take of around $190M putting it well below the $244.1M of Cars from 2006, which had cheaper 2D tickets and no 3D surcharges to help its numbers.  Overseas, the Pixar movie collected an esetimated $22.1M from just 19 territories bumping the international cume to $82.2M led by Mexico, Russia, and Brazil with the global tally climbing to $205.2M.

After a stellar debut, the Cameron Diaz comedy Bad Teacher suffered a sizable fall dropping 54% (over the three-day span) to an estimated $17.6M, giving Columbia $63M after 11 days.  The poorly-reviewed R-rated pic might be able to reach $100M if it can stabilize itself after the holiday weekend.

The combined starpower of Acaedmy Award Winner Tom Hanks and Academy Award Winner Julia Roberts meant little at the box office as their poorly-reviewed new film Larry Crowne generated a disappointing opening in fourth with only $15.7M, according to estimates, over four days.  Universal and Vendôme‘s PG-13 entry played in 2,973 locations averaging $5,295 per site and played to the oldest audience among the weekend’s major films.  Budgeted at only $30M, Larry Crowne was directed by Tom Hanks but an overall dull look coupled with negative marks from critics trumped the star names.  And a B CinemaScore grade does not indicate a great road ahead.  Universal was quick to explain to the media that it only distributed the film and that Vendôme fully financed the project.  The Friday-to-Sunday portion was just $13.1M.

Paramount’s no-star summer hit Super 8 followed with an estimated $9.5M over the long weekend upping the cume to $109.7M.  Steven Spielberg has now produced or directed $100M+ grossers across five straight decades.

The teen girl dramedy Monte Carlo opened in sixth place to soft results grossing an estimated $8.8M.  Fox 2000 and Regency‘s PG-13 film about a young woman pretending to be a princess while overseas averaged a mild $3,538 over four days from 2,473 locations and played mostly to young females attracted to star Selena Gomez.  Reviews were generally negative.

Making it into the century club, although in troubling fashion, was Green Lantern, which collapsed again falling 64% (over the three-day span) to an estimated $8M giving DC $103.7M in 18 days.  The Hal Jordan flick looks to end the summer as the season’s lowest-grossing super hero film and may even struggle to reach $120M.


The Jim Carrey kidpic Mr. Popper’s Penguins dropped to an estimated $6.9M putting the 20th Century Fox release at $51.9M.  Holding up well again despite losing 642 screens was Bridesmaids, which grossed an estimated $4.4M, boosting the total to $153.8M for Universal and Apatow.  Rounding out the top ten was the indie hit Midnight in Paris with an estimated $4.4M for a $34.5M cume for Sony Classics.



New domestic totals for other summer films outside of the top ten include $248.8M for Warner Bros.’ The Hangover Part II, $234.2M for Walt Disney and Jerry Bruckheimer’s Pirates of the Caribbean: On Stranger Tides (which broke the $1B global mark on Saturday), $208.4M for Universal’s Fast Five, $178 for Paramount and Marvel’s Thor, $157.2M for Paramount and DreamWorks Animation‘s Kung Fu Panda 2, and $139.4M for 20th Century Fox and Marvel’s X-Men: First Class.


The top ten films grossed an estimated $223.7M over four days, which was off 6% from last year when Summit Entertainment‘s The Twilight Saga: Eclipse opened in the top spot with $83.6M over the long holiday frame; and up 20% from 2009 when DreamWorks Pictures and Hasbro‘s Transformers: Revenge of the Fallen remained at number one with $42.3M over three days in its second frame.

July 1, 2011 to July 3, 2011 Top Ten

1.   Transformers: Dark of the Moon

  • $116,400,000
  • Paramount Pictures (Viacom) and Hasbro

2.   Cars 2

  • $32,072,000
  • Pixar Animation Studios (Disney)

3.   Bad Teacher

  • $17,600,000
  • Columbia Pictures (Sony)

4.   Larry Crowne

  • $15,742,000
  • a Universal release (NBC Universal)
  • Vendôme Pictures

5.   Super 8

  • $9,525,000
  • Paramount Pictures (Viacom)

6.   Monte Carlo

  • $8,750,000
  • Fox 2000 Pictures (Fox) and Regency Enterprises

7.   Green Lantern

  • $7,985,000
  • DC Entertainment (Time Warner)

8.   Mr. Popper’s Penguins

  • $6,850,000
  • 20th Century Fox (Fox)

9.   Bridesmaids

  • $4,424,000
  • Universal Pictures (NBC Universal) and Apatow Productions

10. Midnight in Paris

  • $4,316,000
  • Sony Pictures Classics (Sony)

July 2, 2010 to July 4, 2010 Top Ten

1.   The Twilight Saga: Eclipse

  • $83,637,000
  • Summit Entertainment

2.   The Last Airbender

3.   Toy Story 3

  • $43,057,000
  • Pixar Animation Studios (Disney)

4.   Grown Ups

5.   Knight and Day

  • $14,152,000
  • 20th Century Fox (Fox) and Regency Enterprises

6.   The Karate Kid

  • $11,032,000
  • Columbia Pictures (Sony)

7.   The A-Team

  • $4,403,000
  • 20th Century Fox (Fox)

8.   Get Him to the Greek

  • $1,724,000
  • Universal Pictures (NBC Universal) and Apatow Productions

9.   Shrek Forever After

  • $1,276,000
  • a Paramount release (Viacom)
  • DreamWorks Animation Studios (DreamWorks SKG)

10. Cyrus

July 3, 2009 to July 5, 2009 Top Ten

1.   Transformers: Revenge of the Fallen

  • $42,321,000
  • DreamWorks Pictures (Viacom) and Hasbro

2.   Ice Age: Dawn of the Dinosaurs

3.   Public Enemies

  • $25,272,000
  • Universal Pictures (NBC Universal)

4.   The Proposal

  • $12,857,000
  • Touchstone Pictures (Disney)

5.   The Hangover

  • $11,268,000
  • Warner Bros. Pictures (Time Warner)

6.   Up

  • $6,521,000
  • Pixar Animation Studios (Disney)

7.   My Sister’s Keeper

8.   The Taking of Pelham 1 2 3

9.   Year One

  • $2,324,000
  • Columbia Pictures (Sony) and Apatow Productions

10. Night at the Museum: Battle of the Smithsonian

  • $2,043,000
  • 20th Century Fox (Fox)

~ by Matt Whitfield on July 5, 2011.

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