Box Office Results for March 2, 2012

This weekend, Universal‘s animation division Illumination had cash registers ringing from coast to coast as its 3D animated smash The Lorax blasted past expectations to score the biggest opening of the year by far.  The low-budget party film Project X, 2012’s umpteenth overperformer, opened in second place with an impressive haul of its own.  The one-two punch sent the North American box office soaring 26% ahead of the same weekend from last year continuing a boom year, which has seen long lines at multiplexes.

Surging to an incredible $70.7M this weekend, according to estimates, The Lorax dominated the marketplace with the year’s top opening.  It was also the biggest bow for a Dr. Seuss film beating the $55.1M of 2000’s How the Grinch Stole Christmas and overall, the second largest non-sequel animated debut ever trailing just the $74M of 2007’s The Simpsons Movie.  That puts The Lorax ahead of such recent 3D toons from power players Pixar Animation and DreamWorks Animation as Cars 2 ($66.1M), Kung Fu Panda 2 ($47.7M), Up ($68.1M), and Monsters vs. Aliens ($59.3M), as well as Blue Sky‘s Rio ($39.2M) and Illumination’s own Despicable Me ($56.4M).  It was also the third largest opening in the month of March after Johnny Depp and Tim Burton‘s colossal financial 3D hit (and I have to stress only financial hit, cause the movie is awful) Alice in Wonderland ($116.1M), which debuted this weekend two years ago during the post-Avatar boom and the 2007 smash 300 ($70.9M).

The Lorax indeed played like a sequel bringing in parents familiar with the children’s book and kids interested in a fun and colorful ride.  The studio partnered with dozens of corporate brands that provided extra marketing muscle hitting the target audience from every possible direction thereby boosting awareness and excitement by Friday, which was also the birthday of Dr. Seuss.  The opening day saw a solid $17.4M in ticket sales, but Saturday witnessed a spending surge climbing 80% to an incredible $31.3M.  Most films this time of year never come close to that for the entire weekend.  Sunday dropped an estimated 30% to $22M.  Produced for $70M, The Lorax averaged a sensational $18,965 from 3,729 theaters.

The road ahead looks bright for the Danny DeVito-voiced pic, which should find its way across the $200M domestic barrier plus solid overseas sales.  Audiences polled by CinemaScore gave the toon a glowing A grade plus there are no major new releases aimed at younger kids until the Snow White film Mirror Mirror at the very end of this new month.  The Easter holiday in early April could also provide a boost if the film is still holding on then.  Positive word-of-mouth from families should more than offset mixed reviews from critics.  It’s been a strong first quarter so far for Universal, which already scored number one action hits with Contraband and Safe House.

Another of this year’s low-budget, no-star vehicles had audiences opening their wallets as the party comedy Project X debuted with strength in second place with an estimated $20.8M from 3,055 locations for a solid $6,800 average.  The R-rated film about three high schoolers that throw a wildly out of control party played mostly to older teens and young adults and an effective marketing campaign excited the target audience.  The MPAA’s rating description was essentially an invitation to high school and college students everywhere as the raunchfest was cited for “crude and sexual content throughout, nudity, drugs, drinking, pervasive language, reckless behavior and mayhem – all involving teens.”

Project X cost a mere $12M to produce and Warner Bros. used The Hangover producer and director Todd Phillips‘ name in the marketing push to ensure that young adults knew they were in for some debauchery, only this time with characters too young to be concerned with getting married.  Studio research showed that 67% of the crowd was under 25 while 58% were male.  The CinemaScore grade was only a B, reviews were mostly negative, and Saturday sales dipped 6% from opening day so good legs are not expected.  However, the modestly priced film will be a moneymaker and has continued the recent trend that has seen young adults come back to the multiplexes for their weekend entertainment.

Falling from its number one ranking last weekend but still holding up moderately well was the military training-video-turned-movie Act of Valor, which declined by 44% to an estimated $13.7M.  The Relativity release has banked an impressive $45.2M in just ten days and could be headed for a domestic finish of about $75M.  Act of Valor cost just $12M to produce and joins other low-cost 2012 hits like Project X, Chronicle, and The Devil Inside.  Combined, the four films cost $27M to produce and will end up grossing north of $240M from North America alone.  Of course, marketing costs were extra.

Denzel Washington‘s CIA thriller Safe House followed with an estimated $7.2M, down only 34%, for a solid $108.2M cume for Universal and Relativity.  The film now ranks as the Oscar winning actor’s third biggest grosser after the $130.2M for his bad guy role in American Gangster and the $115.7M for his good guy role in Remember the TitansTyler Perry‘s latest pic Good Deeds tumbled 55% to an estimated $7M for a ten-day tally of $25.7M.  Look for Lionsgate and TPS to end their run with about $38M ranking among his lowest performers.

With lots of kids fleeing to see The Lorax, the adventure hit Journey 2: The Mysterious Island fell harder than before dropping 48% to an estimated $6.9M in its fourth round.  New Line and Walden have taken in $85.6M to date and should be able to break $100M domestically.  Screen Gems and Spyglass‘ romance blockbuster The Vow held up well dropping 39% to an estimated $6.1M boosting the total to $111.7M.  The Channing TatumRachel McAdams hit is the top-grossing film of 2012, for now.

20th Century Fox‘s action-romance This Means War held up well again with an estimated $5.6M, off only 33% giving the Reese Witherspoon vehicle $41.5M to date.  Ghost Rider: Spirit of Vengeance fell 48% to an estimated $4.7M for $44.9M after 17 days.  The Columbia, Hyde Park, and Marvel sequel is running 53% behind the pace of its 2007 predecessor though admissions are lagging even more since Ghost Rider: Spirit of Vengeance‘s take includes higher ticket prices and 3D surcharges.

The Weinstein Co. nearly doubled the screen count of its Oscar champ The Artist, which found itself in the top ten for the first time in its 15th week of play.  But that didn’t mean the silent film connected with a more mainstream crowd.  The Best Picture winner added 790 runs and grossed an estimated $3.9M from 1,756 locations for a $2,221 average.  Despite the 82% increase in screens, the weekend gross rose just 34% putting the total at $37.1M.  Though a low-budget production, The Artist was backed by an extensive and expensive marketing campaign over the past few months that simultaneously targeted consumers as well as industry voters.  Adding hundreds of new prints and backing them with national advertising doesn’t come cheap either.  A final domestic gross in the $45-50M range may result.

Other Oscar winners tried to parlay statues into extra box office receipts.  Original Screenplay champ The Descendants dropped 36% to an estimated $1.4M pushing the total to a hearty $80.5M for Fox Searchlight.  It is now 2011’s top-grossing Best Picture nominee released during the most competitive fourth quarter.  Hugo, the most expensive of the top contenders and a winner of 5 Oscars, dipped only 14% to an estimated $1.3M for a $71.4M cume to date.  Both films lost screens this weekend.

Also shedding a few playdates, but enjoying a healthy 30% surge from last weekend, was Meryl Streep‘s The Iron Lady with an estimated $900,000.  The double winner for Best Actress and Makeup generated more interest from adult audiences and added a bit to the Weinstein Co.’s total which is now $27.1M.

The Academy Award winners in the foreign language and documentary categories both expanded to capitalize on the added publicity.  Iran’s A Separation added 160 screens and saw its weekend take jump 174% to an estimated $1M for a $3.7M sum and $4,123 average for Sony Classics.  The football doc Undefeated expanded from five to 13 theaters and collected an estimated $84,000 giving the Weinstein Co. a $6,485 average and cume of $166,000 early in its run.

The top ten films grossed an estimated $146.7M, which was up 28% from last year when Nickelodeon MoviesRango opened in the top spot with $38M; but down 20% from 2010 when Walt Disney PicturesAlice in Wonderland debuted at number one with $116.1M.

March 2, 2012 to March 4, 2012 Top Ten



1.   The Lorax

2.   Project X

3.   Act of Valor

4.   Safe House

  • $7,212,000
  • Universal Pictures (NBCUniversal) and Relativity Media

5.   Good Deeds

6.   Journey 2: The Mysterious Island

  • $6,925,000
  • New Line Cinema (Warner Bros. Entertainment) and Walden Media

7.   The Vow

8.   This Means War

9.   Ghost Rider: Spirit of Vengeance

10. The Artist


March 4, 2011 to March 6, 2011 Top Ten



1.   Rango

2.   The Adjustment Bureau

3.   Beastly

4.   Hall Pass

  • $9,015,000
  • New Line Cinema (Warner Bros. Entertainment)

5.   Gnomeo & Juliet

6.   Unknown

7.   The King’s Speech

8.   Just Go With It

9.   I Am Number Four

10. Justin Bieber: Never Say Never


March 5, 2010 to March 7, 2010 Top Ten



1.   Alice in Wonderland

  • $116,101,000
  • Walt Disney Pictures (Walt Disney Studios Motion Pictures)

2.   Brooklyn’s Finest

3.   Shutter Island

4.   Cop Out

  • $9,289,000
  • Warner Bros. Pictures (Warner Bros. Entertainment)

5.   Avatar

  • $8,118,000
  • 20th Century Fox (Fox Entertainment Group)

6.   The Crazies

7.   Percy Jackson & the Olympians: The Lightning Thief

8.   Valentine’s Day

  • $4,154,000
  • New Line Cinema (Warner Bros. Entertainment)

9.   Crazy Heart

  • $3,313,000
  • Fox Searchlight Pictures (Fox Entertainment Group)

10. Dear John

  • $2,782,000
  • Screen Gems (Sony Pictures Entertainment) and Relativity Media

~ by Matt Whitfield on March 5, 2012.

One Response to “Box Office Results for March 2, 2012”

  1. Reblogged this on The Film Discussion.

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